At the end of the year I usually look over the books I’ve read. Life has got in the way of my writing and reading recently, but I’ve read as much as possible. For someone who used to read a book a week, the count is pitiful, but I’ve tried. I thought I’d post my reads of the last couple of years.
Forty-five books read in 2013, some of which were novellas, and half
of one carried over into 2014. Not the ‘improvement’ in the amount I’m
reading I had hoped for, but probably better than the year before. I
won’t list them all, just mention a few.
I got into the YA zombie books of Jonathan Maberry, and they are
surprisingly addictive. In January I must have been in a strange mood
because I read nothing but zombie books.
The Line of Beauty by Alan Hollinghurst was a bit of a
frustrating read for me. One of those books I realised was good once I’d
finished it. A glimpse into someone’s life during a set time in that
life — I guess that applies to most stories unless following a character
from birth unto death, but it felt as if it lacked enough resolution.
One of my favourite books of the year has to be Warm Bodies
by Isacc Marion. If you’ve seen the film, or even if you haven’t, read
the book. The film is better than I was expecting owing to trailers that
led me to think of a YA ‘popcorn’ movie; I feared they had turned the
book into a hokey joke. That’s not the case, but it’s a difficult book
to put across on the screen because it’s multi-layered. There’s a jokey
element to the book, but you quickly start to find little threads of
something darker, disturbing, upsetting, and even enlightening. This is
not a gory zombie horror book, nor is it a teen rom-com spoof. Hidden
within its pages is a celebration of life in all its messiness. Left me
smiling and with an immediate desire to read it again. Wish I’d written
it. Most unexpected read of the year.
Discovered China Mieville and Perdido Street Station. I’d only
read a couple of his short stories before, but am definitely now a
reader of his work. I’ve always loved Mervyn Peake’s work and can see
why people mention Mieville’s work in the same breath — if you like the
richness of Gormenghast then this is the only style I’ve come across
that comes close.
I read a few short romance stories in the markets I write for, including m/m. I won’t list them all, but The Blue Moon Cafe by Rick Reed is a good blend of m/m romance, werewolf horror, and homicide suspense.
Caught up on a couple of titles in J.R.Ward series ‘The Brotherhood’.
Likewise, still progressing through John Connolly’s work with The White Road, and The Black Angel. Other noteworthy titles were Camp David, by David Walliams, and The Night Circus, Erin Morgenstern.
Another discovery was Lois McMaster Bujold with her science fiction book The Warrior’s Apprentice.
I immediately set about gathering the rest of her titles and now have
them sitting in my TBR mountain. Miles Vorkosigan’s mother was exposed
to a poisonous gas during pregnancy. As a result, Miles is short, has
brittle bones, and a twisted spine. Despite this, his biggest hurdle is
probably a tendency to fling himself head long into crazy situations.
I’ve found the first book to be far lighter than I anticipated and yet
filled with characters and situations I immediately loved and felt drawn
to. From the writing I didn’t immediately know a woman had written
these. There’s also something of ‘nostalgic’ sci-fi about them, the sort
of space opera that even puts me to mind of Blake’s 7, although with a
far more humourous edge.
In July, I began reading Iain Banks. I was shocked to hear of his
death, and a couple of his books had been sitting on my shelves for at
least two years. I wasn’t sure what I thought of The Wasp Factory,
but I’ve since picked up more of his books and will keep reading. The
story is about Frank, a 16 year old living in a remove Scottish village.
He has a strange family, and the most peculiar tendencies towards
violence, which he manages to justify in his own warped way of thinking.
I found the whole book ‘peculiar’ and would love to know how the author
came up with such a strange and wonderfully twisted idea. Nothing like I
imagined it would be. He’s a writer I admire because (he has said) he
wasn’t getting far with what he wanted to write so he reinvented
himself; judging by his works, he as good as created his own genre.
The Last Kind Words, by Tom Piccirilli was an absorbing read
by a writer who has shown as much courageousness in his own life
recently as he has in his writing. (Note: Since I wrote this, alas Tom
lost his fight with brain cancer and is another great loss to the
writing world.) I came across him many years ago when I was a fledgling
writer and his small book ‘Welcome to Hell’ warned me what I was in for.
Another writer we sadly lost recently was James Herbert, and so I read the last of his works: Ash. I was reading James when I was teen, and he’s been something of a comfortable and familiar British institution.
by fellow Musa author Clarissa Johal wasn’t what I expected. Her tale
of ‘critters’ accused of poisoning one of the Elders in their village
sets them in search of an artifact that allows one to see the past and
change the future…but should they use it? I can see why the write up for
the book refers to the tradition of The Dark Crystal by Jim Henson and
Frank Oz. I felt it could do with a slight tidy, but was otherwise
delightful and has great potential. Should be in the hands of a large
One of my favourite authors is Christopher Moore, and I added another of his titles to my ‘read’ pile with Fluke
— an amusing and surprising tale/tail that takes the reader beneath the
sea. His work is zany in an intelligent way. All his books have his
familiar style yet in another sense they could be called multi-genre as
one may be about god, whales, zombies, or some voodoo queen on a
mysterious isle. You kind of have to appreciate touches of Douglas Adams
to like C.Moore. Fluke is about marine behavioural biologist,
Nate Quinn, and begins on the day he sees a whale lift its tail to
reveal the words ‘Bite Me’ on its flukes. It completely had me going and
guessing and even when I thought I had it figured out, the truth was
even more bizarre. Great fun.
I’ve loved The Dark Tower series by Stephen King; however, while The Wind Through the Keyhole was a pleasant read, but I cannot say it adds to the series in any particular way. One for the fans of Roland’s quest.
I picked up a signed copy of The Winter Ghosts, by Kate Mosse
and was really looking forward to it. I admire the weaving of this tale
from the research, but it felt too short, and from the blurb I expected
something with more emotional attachment and just ‘bigger’ somehow.
Don’t think I’m giving much away to say pleasant, somewhat historically
interesting, but lightweight ghost story. A case of the blurb outshining
the contents more than a little, making for higher expectations.
I finished the year and began the next with Under The Dome, by
Stephen King It’s the sort of book he does so well and the perfect
example of why I don’t think of him as a horror writer. His books are
very character driven and apart from the paranormal aspect of this book
(the dome itself) it’s very mainstream. The internal politics of the
town, the way some characters hold it together in the face of adversity
or turn on each other, even commit murder was very well done. It’s a
lovely piece of writing. I was impressed with the research and then
laughed when King admits in the back that he asked someone to help him
with that. Anyone who likes crime or mysteries might also like this
book. I was a little disappointed in the ’cause of the dome’ but I
couldn’t see any other possible explanation he could have used. King
tends to say some stories are about the journey rather than the
destination, and I agree. This is all about the people in the town.
Having since seen the first two episodes of the series, my advice is
read the book.